Earlid | Memory Hole | summer 2022
Three sonic approaches weigh the heft of correcting the archives.
They cast the granular scope of race and gender; the politics of radio art collections; the irony of sampling the sample.
In each there is a reshaping.
The artists poke at their own creative process. Their works speak to an urgency, quiet and booming. These distinctions invite synergy and discordance to a collection of omissions and fissures.
Ariana Martinez – Perfect Love
Ricardo iamuuri Robinson – Blackbody, White Noise
Karen Werner – The Archive of Future Signals